The Phantom recently visited the Twin Cities, Minneapolis/St. Paul.
It was hot and humid. The Twin Cities get hot and humid in August.
This came as a surprise to the Phantom, but apparently not to native Minnesotans.
People really do sound like Officer Marge Gunderson from "Fargo," and there were little vignettes of "Minnesota nice," in evidence.
There were more Blacks in the Twin Cities than you see in New Hampshire, and there were patches of urban malaise: the walk up the steep hill to the church of St. Paul was littered with druggies nodding off from their doses.
Outside a bakery on the corner of Snelling and Grand, at the gates to Macalester College, a man sat next to a sign which did not mention Trump by name but said simply, "Impeach, Convict, Remove."
That was no surprise, as colleges tend to have people who do not like Trump.
But what did surprise and delight the Phantom was a mural on the side of a building along Grand Avenue, "Dr. T.J. Eckleburg, Oculist." There was no explanation for this. You had to know the reference.
Of course, F. Scott Fitzgerald was from St. Paul, and the allusion was to the billboard he mentions on the Long Island road on the way to East Egg in "The Great Gatsby." It is the image which inspired the famous cover for that book.
Fitzgerald loved that cover, but when he showed it to Hemingway, Hemingway was appalled. Hemingway, apparently, was too hidebound to appreciate something that avante garde.
The Phantom, in his thirties was a fan of Hemingway--"A Farewell to Arms," and "The Sun Also Rises," which he never read in school, but were recommended by a woman who simply said, "You'll like Hemingway, as you are now."
The Phantom never was much of a Fitzgerald fan, but reading "Gatsby" in his thirties, he could at least appreciate there was some art there. The scene at Gatsby's manse, where he tries to impress Daisy with his collection of expensive shirts, only to realize she would not be impressed by shirts is well done.
It reminded the Phantom of a boy, David, he knew in school who just could not seem to get into the cool kids' clique. He wound up joining the Navy out of high school--one of only three of his classmates did not go to college--most went to elite colleges. After, the Navy, he went to American University, not elite, but at least college. Then he went to law school, and ultimately he became a successful San Francisco lawyer and was able to retire in his 50's, owned a vineyard and winery, and traveled to Europe where he owned property.
But the Phantom heard about all this only after he first heard from a high school friend, Kay, the girl the Phantom had asked to the senior prom, who he had dated in a Platonic way throughout high school. She was quite beautiful and very bright, but, for reasons of inexplicable chemistry, the Phantom could never see her as a girlfriend. This was not true for David, who apparently yearned for her, as did many other of his classmates.
Kay had ultimately gone to Barnard, Columbia Law and then on to become general counsel for Lucas films and other big corporate clients. She became fabulously rich, rich as Gatsby, with a home on Russian Hill and another in Sausalito. One day her secretary called to say she had a visitor, David, a friend from high school. Kay had a tightly scheduled day, but managed to find a few minutes for David but he kept insisting she come down to the street with him, which she did not have time for, but she eventually relented, and there he showed her his yellow Corvette. Of course, Kay could have owned a fleet of Corvettes or any other car, but she tried to be appreciative.
She told the Phantom that story with real sympathy. Kay had felt a failure when she graduate high school--had not got into an elite college for reasons known only to God and the Montgomery County school system. The Phantom knew Kay was one of the very brightest in her class, but that fact somehow must have eluded the faculty of Walt Whitman High school, in Bethesda, Maryland. But she was not a person to be kept down, and she may not have been the most likely to succeed, but succeed she did, way beyond any other member of her class.
And that was a sort of Gatsby tale. The person who is told she doesn't have the right stuff, who ultimately succeeds, despite the disregard of her peers and the establishment types who had dismissed her as not very important.
The problem for the Phantom, is that seems a pretty adolescent sort of story. What Hemingway was talking about was war, and love and dismemberment and wounds and bureaucracy and romance in the ruins. That was adult stuff.
Gatsby is about a man who mentally could not progress beyond the inevitable insults of childhood and adolescence, a man in arrested development. If the Phantom had known Gatsby, he would have shaken his shoulders and said, "Hey, what does it matter what you were like when you were seventeen? Some of those kids who were such stars then are pretty ordinary now. Some of the meek are now inheriting the earth. Get over it. There are more women in the world than Daisy."
Fitzgerald just seemed silly, to be trapped in the past.
On the other hand, Fitzgerald did manage to write one of the best, most enduring final sentences in literature: "So we beat on, boats against the current, borne back ceaselessly into the past."
That sentence is used in "The Wire," in a prison book club, and the man who utters it (DeAngelo) really has been trapped in the past, as he was raised on the cruel corners of Baltimore, murdered people and saw people murdered and became part of a drug gang; he really could not escape his past, which had produced him and rendered him helpless against the currents. "The Wire" gave a real meaning to that sentence.
But they still know and love Fitzgerald in St. Paul.
The thing is, though, Fitzgerald is not buried in St. Paul. He is buried near Bethesda, in Rockville, Maryland, in a shabby little cemetery next to a tiny church which is hemmed in by noisy roads, so if you stand in front of his grave and try to speak to the person next to you, you have to almost shout to be heard.














