Wednesday, February 19, 2014

Roger Angell: A Man in his Nineties Makes Life Brighter for the Rest of Us

Roger Angell and dog
Roger Angell has written a surpassing piece on life in the tenth decade which will probably leave every twenty and thirty something wondering why all their parents love this essay so. That they will not understand it, that they will not be able to see why it resonates so with their parents is a stark indicator of what it means to be in different places in life. 
He wends his way through elder sex and how the very thought of it unnerves and disgusts the young--there was a great scene in Mad Men about that, when Peter has to face his mother's amorous side and he is revolted by it. 
Angell talks about everything from the wrenching effect of the death of his dog, to the loss of his wife. And he talks about the loss of good friends and the loss of one after another of all the people who made up his life. 
The Phantom has not yet quite got to this stage of life, where the leaves start falling off the trees rapidly, and you are the one still clinging to the branch, but the Phantom can see and feel it through Angell's eyes. 
Mr. Angell  is by turns funny and morose, complaining and exalting and he talks about elderly folks going on line in search of some new intimate love.  He quotes Lawrence Olivier, who said, "Inside, we're all seventeen, with red lips."
Hampton, New Hampshire
 The Phantom finds this idea exasperating and disappointing. He knows many people move on beyond the idea of boy-girl love. He's seen it in so many people here in New Hampshire. Men who have been married to the same woman for 50 years and they say they haven't had, haven't wanted to have sex with their wives,  or with any woman,  for twenty years. Don't miss it. Have moved on.
But  moved on to what is the big question. Locally, the answer seems to be ice fishing, snow mobiles or building furniture.
North Hampton from Plaice Cove--Obadiah Youngblood

Hampton, New Hampshire 
 The Phantom has discovered, with new enthusiasm, music.  And art. He can hear music better now, having started piano lessons, which have given him the atavistic pleasure of struggling at something, plunging headlong into incompetence, again, and he knows that Japanese pleasure of the struggle. 
He has also been thrilled by looking at masters like van Gogh and John Singer Sargent. Having tried to paint, he understands how difficult it is and he can marvel with greater fervor over those who can do it masterfully. 
He has found local artists who see the same seacoast but in such different colors.
North Hampton, December--Obadiah Youngblood 
The Phantom knows only one thing at his advanced age: He is just as clueless as he ever was--he is simply more aware of his inadequacies now, and, fortunately, less disturbed by them.

2 comments:

  1. Phantom,
    I really enjoyed his piece to-his depiction of life in your 90's may not be cause for total celebration -it's no cakewalk-but it was a relief. The life he described was not without joy despite his many physical ailments and losses. I appreciated that he didn't attempt to gloss those over and instead pointed out that some losses, like those of his wife and daughter, originally seemed insurmountable. Even the way he lost his dog was particularly horrid didn't you think-didn't see that one coming. Despite all that hardship, you could tell he still prized getting up in the morning and completing work, although not at the same pace, that was still relevant and enjoyable. We should be so lucky.
    Being the "last leaf" always seemed a particularly sorry state to find yourself in-one I never really was certain was preferable to death. How does one go on when almost everyone you've known and loved is gone, but he didn't sound selfish or callous when he spoke of carrying on, just accepting of the realities and inevitabilities of life. In fact he sounded like he was open to a little more romance in his life, despite his advanced age. I was wondering though, which "idea" regarding this you found "exasperating and disappointing"? That the elderly look for mates on line or Olivier's quip, "Inside, we're all seventeen, with red lips"? What's so disappointing? I do think you have a point that this is an article most appreciated by those of us of a certain age-or a little further down on the conveyor belt...

    On another subject, assuming Obadiah Youngblood is another pseudonym, I think you are much to humble in your description of your painting as "trying". I've known and loved the places you paint all my life and there are countless artist renditions of the seacoast, but yours are unique and immediately identifiable. Much better than "trying". If you hold the bar that high for your musical talents I guess one can be looking for you any day now on you-tube performing some classic. Yes? Which reminds me-lessons by Skype is a little unusual-is your son your teacher?


    Finally, I commented on your post about "Reincarnation" as well, but notice you haven't responded. I wasn't sure if this was due to your not having seen it, or because my brilliance and jaw-dropping insights had rendered you speechless....
    Maud

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    Replies
    1. Maud,

      Did not see your comment on reincarnation piece. Will go look.

      I've got nothing against nonagenarian sex, seduction and romance, but I do recall the time before puberty, when life was full of excitement and adventure that had nothing to do with sex and was pretty wonderful without it. Would never argue we should just give up on sex after seventy, but the idea you have lost something essential to happiness if you no longer look for romance strikes me as a bit of an overswing.
      With Masters and Johnson the idea of sex continuing into senescence became acceptable; it's just not clear to me it's mandatory.
      One thing which has happened to me is as I've become less focused on romantic adventure, work has become more exciting and consuming. Not such a bad state.
      You must watch Foyle's War for the emotional underpinings of this argument.

      Phantom

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